Sunday, October 19, 2014

Open Studios Helped Me Find My Way Back to Clay.







It had been a tough few years.  My dog died.  I broke my wrist and had to have surgery.  A roof leak repair tore apart my studio walls and floor.  My husband got laid off.  We were doing our best and I took every gig that came along to help make ends meet. 

One thing I knew in my heart even as my mind raced with fear, I would not give up on my art.


I’d been showing and selling my copper and screening masks and mixed media work for almost a decade.  But it was open studios that helped me stay on the art path and find my way back to clay. 

I opened my studio that weekend hoping to see new people, buoy my spirits and make a little money selling copper jewelry and masks.  I did all of that, but it was the encouragement and generosity of my visitors that helped me the most.


One couple, who had bought several of my masks at gallery shows, stopped by and noticed my clay sculptures scattered about my studio and home.  They asked why they hadn’t ever seen them before.  I told them, honestly, I’d given up on clay because I couldn’t afford to pay to have the clay fired and I didn’t have my own kiln.

Then, something amazing happened: the man gave me his kiln.  And months later, when I went to haul it home, he insisted I take his electric wheel, too.  My mind told me no, but my heart said yes.


I scraped together enough cash from my open studio sales to pay an electrician to put in a 220 line for the kiln and an kiln expert to do an inspection.

I used the kiln months later to fire some new clay masks, but the wheel was pushed into a corner of the garage collecting dust.  You see, I’d had wheel throwing classes as a teenager.   I failed miserably.  I walked away from the wheel, embarrassed and turned to hand building, which I did well.  I told myself that I had to have wheel throwing classes to use the wheel and at the time, I couldn’t afford them.

A year went by and I just started teaching a mask making class that made me exactly the same amount of money as one wheel throwing class.  Even though times at home were still tough, I decided I would sign up for that one class.  The day I was to start class, my husband got a full-time job.  I was able to take two years of classes.


Now many years have passed.  My life has changed for the better in so many ways.  My wrist is healed and strong.  I have Jilly, my lovely lab in my life. My husband is happy working at what he loves and so am I.  I still make masks and mixed media pieces.  But because of open studios I, now know that I can throw in clay, after all.


So when you open your studio, remember to open your heart as well, because you never know what wonderful people you’ll meet and amazing things that might happen for you, too.


Saturday, October 18, 2014

Open Studios Inspired Our Artists To Open Their Own Studios.





First, they were tour visitors.  They were inspired.  And then, with the open studio seed planted, they began to see the possibilities of becoming part of an open studio tour.

“Being in another artist’s studio space, watching them work, gave me the creative juice to go home and create something myself.  Learning little tips, seeing how they organized their studios was always inspiring to me,” says Pam Nichols, encaustic artist.


Potter, Karen French adds, “When I lived in Corvallis, I went to another artist’s open studio.  It was different from what Washington County Open Studios does.  It was more of a sale atmosphere.  But it did make me wonder how I could do something like it but offer more for people to do.”



“I visited many artists’ studios long before I ever thought of myself as an artist.  I loved watching and learning about different media.  But it was the artist’s stories that were most inspiring to me.  It made me see the possibilities of doing my own art.  And here I am, a few decades later, showing my work and doing my own open studios,” says Susan Gallacher-Turner, ceramic artist.

To Pam, visiting taught her so much about the importance of having a good feeling in a studio space and how that makes her art better.

 “Looking back on it now, I feel that artists, who were successful in their careers, had amazing spaces that you wanted to just be in.  Their studios were a work of art in itself.  I know that for my studio, it is important for me to have it feel good, no clutter, clean, great light, possible great view, having my things easily ready to use.  I think you can create this kind of space from beautiful large room to a part of a dining room.  Building a comfortable studio space can be an important step in making your art.”

Inspiration is everywhere on the Washington County Open Studios tour.  It not only gives both artists and art lovers a chance to share, learn and grow.  It also gave these artists encouragement to keep going and become successful artists.

Susan adds, “It just amazes me when I look back and see how far I’ve come in my creative life and I hope that I can inspire the creative spirit in all who come to my studio.  Because, you just never know, someday, they could be doing an open studio tour, too.”


Get inspired this weekend on the Washington County Open Studios Tour.  It's free.  Artist studios open Saturday and Sunday from 11 am to 5 pm.  Tour map and information online at washcoart.org






Friday, October 17, 2014

See Art in the Making in Aloha This Weekend. Free.




“I’ll have 3 to 4 painting that I’ll be working on at the same time and each one will be started differently.  Like splatters for one, glued pattern making paper, modeling paste and stencils and so on and so forth.  It will be a surprise and fun to watch so come on by,” says Katrina Fowler, mixed media artist.

Get a free tour map at www.washcoart.org and spend Saturday and Sunday, October 18 and 19 from 11 am to 5 pm visiting art studios during Washington County Open Studios.  Forty artists will be demonstrating their techniques for you and some are right in your own Aloha neighborhood. 


 I’ll demonstrate the whole process of silk painting from the initial drawing to painting the silk with the prepared dyes,” says Patti Isaacs, silk painter.


Ana Quinn, potter says, “When you visit my studio you may see me drawing or painting on pots.  You may also possibly see me trimming a ‘leather hard’ piece on my wheel.  Trimming refers to carving a ‘foot’ on the bottom of the pot, which also reduces the weight of the piece.”

You can see art in the making October 18 and 19 from 11 am to 5 pm in the suburbs and country during Washington County Open Studios.  Get a tour map and directions FREE at www.washcoart.org 

Thursday, October 16, 2014

See Art in the Making in Forest Grove this Weekend. Free.






“Visitors will see me glazing or doing the raku process if they are there at the right moment. The raku process is really fun to watch, also I try to use different materials with my clay forms:  limbs from trees, nails, buttons, puzzle pieces, wire, ribbon, etc,” says Barb Hertel, Raku Artist.

Get a free tour map at www.washcoart.org and spend Saturday and Sunday, October 18 and 19 from 11 am to 5 pm visiting art studios during Washington County Open Studios.  Forty artists will be demonstrating their techniques for you and some are right in your own Aloha neighborhood. 


Painter Helvi Smith adds, “When people come to the studio - they will see my "gallery" first.   I LOVE the color orange and the walls are painted a deep vibrant orange and that is a big hint that there are few neutral colored paintings around here.”

You can see art in the making October 18 and 19 from 11 am to 5 pm in the suburbs and country during Washington County Open Studios.  Get a tour map and directions FREE at www.washcoart.org